I worked on the digital and almost got the chance to fly to L.A. and direct him in some cool video banners. But I was the first one to add "Oh my" into his scripts. So I'm taking credit for the tag.
Okay, so my tweets have confused you. So here, in detail, what is going on.
Renee and Ben have moved to Chicago. We bought a house in La Grange and unpacked all weekend. Renee starts her new job and Ben starts his new day care today. The cats are also there, sleeping on a new king size bed.
I am not there. I am in NY at my job. I met with the Chicago office Friday and a transfer may or may not happen. Seems I do a job they don't have there, but would like to. I'm giving them some time to work it out before I come up with another plan.
Good news; I no longer have to go home to take care of my son. Bad news; I have no car to get anywhere the subway won't take me. Worse news; my landlord is ripping the house apart in an attempt to make it sell-able once I leave. So I left my new house, old stuff and current family to live in a construction site. But I still got some toys.
In the late 80's, when the induction ceremonies started, I dreamed of going to this mystical museum. When Renee and I went in 2003 it was pretty awesome. And when I went back last year, it sucked. Zero repeat value. And they let morons in. Devalued the whole building.
This year's lineup is the lamest yet especially in the light of Eddie Trunk's rants and CNN's list of people who haven't made it in yet. What kind of criteria gets you in? In my book, there will never be enough room for ABBA. Even the hot brunette whose dad was a Nazi.
Also, before the NY Annex closed, we went and Ben had a meltdown so for $60, we saw nothing. I blame the Hall of Fame for that too.
It's a whole community devoted to the girl sitting and watching the fight. It's genius because it reveals an unspoken truth; that during the video you will once think, "Hey, that girl's hot".
Larry filled in for Adam Carolla yesterday on his podcast in what I think is the first time he ever hosted a radio show. It's honest, charming, delightful and a reminder why Miller is one of my favorite comedians ever.
And it's a lot more serious than the first. We get more drama, more action, more War machine and even a quick peek at the Mark V. In other words, it makes me feel a lot better. Here it is. How do you feel?
I always wanted to join one. And now I have. Robby Rigano invited me (and she also gave me a bag of black jelly beans so you can see the awesome sense of humor) and put it all online.
Will it be another timeless classic of the era like "Taxi"? Or unwatchable like the original "Battlestar Galactica"? If I don't buy this I will rent it on Netflix. Cause all I remember was Stephen Collins getting malaria every week.
If you've been following the news about Roger Ebert over the past three years, you know that cancer took Roger Ebert's jaw and condemned him silence four years ago. His writing, now the only form of his communication, has become transcendent. Each review is like the work of a great author.
But Roger may not be silent forever. A Scottish company has developed a text-to-speech program that has sampled Roger's own voice (fortunately, thanks to 'At the Movies', there are hundreds of hours of his speech recorded).
Here he is on Oprah. When he switches from the standard Stephen Hawking tone to his own sample, it's truly breathtaking.
Dave Charles (who took me to that free Paul McCartney concert five years ago made good again last night. He works at MOMA and the entire staff was given free tickets to "A Behanding in Portland" with Christopher Walken and Sam Rockwell. It's in previews now and begins a 16 week run in March.
And if you want to see Christopher Walken act like Christopher Walken, this is where you should be. He plays a man with one hand. He lost his hand 47 years ago (he tells us repeatedly) and he wants it back. He holds three other characters hostage for 90 minutes with a gun, a can of gasoline and the power of Christopher Walken.
And yes, he really talks like that. Do you really need to know anything else?
This is exploding online so here's another place it can blow. Here's a seven part deconstruction of Star Wars Episode I: the Phantom Menace that nails it at every angle. From major mistakes in dramatic storytelling to geeky plot holes, this guy gives the best reason why we walked out of that movie, thinking, "But it has to be good. It's Star Wars!"
As film criticism it's spot on. As comedy it's a little shaky. Some of the jokes land with a thud and he goes dark for no reason at all. And his juxtoposition of insightful criticism from a dumb persona is just confusing. So you may have to ignore some jokes.
Part 1:
Part 2:
Part 3:
Part 4:
Part 5:
Part 6:
Part 7:
You Facebook readers will have to go straight to my blog. But it's worth it.
I've been out sick and buried under snow the last two days (I did Twitter though. I swear I did. Follow me if you don't believe it.) but I've come up long enough to give you something.
Who wants to see the original Kenner Star Wars catalog? What's that? You say, everybody?
Jimmy Dowd of St. James Clothing Presents NYC Stormtroopers @ Blvd NYC 199 Bowery between Spring and Rivington showing the art of Pat Conlon with Live music by Indaculture and Walker and The Brotherhood of the Grape with special Guest B.M.W.A celebrating Geoff Unger's Birthday Special added guest Drexler @ 9 P.M.
Jimmy Dowd of St. James Clothing Presents NYC Stormtroopers @ Blvd NYC 199 Bowery between Spring and Rivington showing the art of Pat Conlon with Live music by Indaculture and Walker and The Brotherhood of the Grape with special Guest B.M.W.A celebrating Geoff Unger's Birthday Special added guest Drexler @ 9 P.M.
The more I read about this before the keynote Wednesday, the more excited I got. A touch screen laptop with no keyboard? Sounds like a perfect replacement for that Macbook I never got around to picking up.
Then it launched. No Flash, 64 GB, iPhone OS. In fact, iPhone everything. It's a big old iPhone. The iBook store is aimed right at the Kindle but will the screen be any easier on the eyes than a laptop? As someone who's read hundreds of comic books on a laptop screen with the lights out, I know this is something you should not be doing.
If this had a full OS, 300GB of memory, Flash and weighed four pounds, I'd still be all over it. I need function over form and that's the one way Apple ever fails me. The concept is incredible and the execution is beta. In two or three years, after a few upgrades, the iPad will be essential. The same way the iPhone became interesting once it hit 32GBs.
Apple thinks it's way more revolutionary than it is. The internet pundits think it's useless. No one's going to be happy when this thing launches.
I love this show and everyone I try to introduce it to hates it.
The Prisoner to this day is a groundbreaking, unique show. It's creepy and weird and delights in keeping you off kilter. A psychedelic X Files or a Kafkaesque James Bond. Either way you look at it, it's tremendously better than the new age remake AMC foisted on us.
Here's the opening. It's a three minute title sequence. Three minutes! That's just ridiculous and another reason people hate it.
They say the technology in Avatar will change how we see movies. They didn't mention old movies.
George Lucas has once again shown us his true gift and is pleased to announce he's found a new way to sell us the same old product. All six "Star Wars" films will be rereleased in 3D. I'm not excited about this but I have to admit I'm interested. Put them on the Blu-Ray, which I'm sure to buy anyway, and I'll be pleased.
It's been a long time since I've been proud of my work in advertising. But moving to Mcgarry/Bowen last August has made me feel creative, integral to the process and appreciated.
Turns out the rest of the industry thinks so too. AdAge just named Mcgarry/Bowen Agency of the Year. It's rainy, grey and Monday but everyone here is in a very good mood.
Judging from the attendance in the theater, Renee and I were two of the last in America to see it.
Everyone's weighed in on this movie. Most people love it. Some people are too sad it ended. One guy died.
I'm not as in love with it. It's a film that's incredibly well crafted, taking a giant leap from where Lucas left off technologically. Nobody does big like Cameron. That man takes incredible financial risks every time out of the gate and pays it off every time. He's got a track record a gambler would envy.
And yet, much of this movie feels like a remake of his Aliens . We have the scumbag corporation in space, screwing over the lower guys on the ladder. We have the gung-ho two-dimensional military. We have the power loader. We have the out of control alien animal life. We have the drop ship. We have Sigourney Weaver.
But when you look at Aliens today you realize it's not a high budget film. This is. The amount of detail on the screen is stunning. Every pixel on screen looks agonizingly worked over. I was in the middle of five minute flight scene before I noticed the complex system of the wings.
The 3D only enhances that effect. Instead of looking for novel ways to throw objects from the screen at us (like the ludicrous Piranha 3D trailer)Cameron found techniques to make the screen deeper. The viewing planes pull away, so you want climb in the screen and explore this deep, new world.
Yet, emotionally it feels hollow. The plot hits the Hero's Journey/ Mutiny on the Bounty riffs with a clang. And we don't get a chance to identify with any character too deeply. There's too much happening (for a two and a half film, something new happens every two minutes). We don't get enough time with any character in live action to project them onto the cg versions. The animation is superb but it always feels like animation. At its best, scenes play like actors in masks.
Oh, and James Cameron still loves the color blue. 25 years of blue films. Congratulations, Cameron!
In other shitty media news, NBC decided instead of cancelling "The Jay Leno Show" a shell of his former "Tonight Show" run, they will move it to 11:35, making it "The Tonight Show". And Conan? He gets shoved to 12:05.
Or he doesn't. Check out this press release where he tells NBC to go to hell. For a network with a history of shoving out Carson and scaring away Letterman, this should give some executives pause. Or get them fired.
Not sure how I feel about this. Raimi is a hell of a director (the committee thinking Spider-man 3 not withstanding)and Drag me to Hell proves he's still got a lot of passion for the cinema. But I never really warmed up to Maguire and Dunst. Tobey maguire nailed the Ditko brooding Peter but didn't get the robust Romita version that became the standard. And Kirsten Dunst? The less said about that casting the better.
There will be a Spider-Man 4 but the quality of it will be as up in the air as Spider-Man 1 was before 2002. Either way, I'll see it.
Live January 9th 2010 Walker and the Brotherhood of the Grape @ The Irish Circle 101-19 Rockaway Beach blvd Rockaway Beach N.Y. 11694 Showtime 9 P.M. $10 at door The Brotherhood will feature special guests from the Caribbean...College and B.M.W.A!
Celebrating a few birthday's including Walker's. Giving a proper send off to a local friend who is being sent back to the middle east in service of our country. Thad-Rock and Danny Valk are keeping the bar.
The Brotherhood of the Grape is Walker=vocals/guitar Geoff Unger=lead guitar Eddy Joe McCabe=bass Brian Senders=drums Jon Clarke=guitar Mike Devellis=Sax
When I flew to Chicago for xmas, LGA was packed. Only at the tellers. The ATMs were wide open but I had run out of ink in the printer and never made an e ticket. I knew I had email in my iphone.
(and yes, I have an iphone. I bought it two days before getting assigned the Droid project and if I could break my contract I would. So stop smirking.)
On a hunch, I opened my gmail account, pulled up my email ticket, and used the gestures to make it the right size. Then I ran it under the scanner.
It worked. And it worked on the way home too. I haven't heard of anybody doing this before but I'm sure it will work for you.
Hometown gig this weekend! Come see how people I went to grade school with have aged.
Live January 9th 2010 Walker and the Brotherhood of the Grape @ The Irish Circle 101-19 Rockaway Beach blvd Rockaway Beach N.Y. 11694 Showtime 9 P.M. $10 at door The Brotherhood will feature special guests from the Caribbean...College and B.M.W.A!
Celebrating a few birthday's including Walker's. Giving a proper send off to a local friend who is being sent back to the middle east in service of our country. Thad-Rock and Danny Valk are keeping the bar.
The Brotherhood of the Grape is Walker=vocals/guitar Geoff Unger=lead guitar Eddy Joe McCabe=bass Brian Senders=drums Jon Clarke=guitar Mike Devellis=Sax
I've been so busy I'm just getting around to putting up my second "Schtick or Treat" spot. But I still like it. Last year was Bob Newhart, this year Dana Gould. Not as well known so I don't get as many laughs from the impression but the material stands for itself and gets a great reaction. Enjoy.
I could focus on the ten years of crap we were handled by this world (eight of them by the Bush administration) but I think everyone with a blog, a tweet or a status update is doing that now. I like to think of things in a more self absorbed way.
When 1999 turned to 2000 I was in bed with a girl I met that day. Things could only go up from there. I met my wife two weeks later. I started in advertising, a career I would struggle against the entire decade, six months after that. I spent no energy in forwarding that track and the money on things I really cared about. Like more guitars, HD tvs and hardcover comic books.
Got married right in the middle of the decade. I was bored out of my mind by my job at this point and tried everything creative to get out of it. Joined a sketchy band, made little comedy videos (and sent them to Youtube as soon as they opened), and started this blog.
Then I discovered stand-up comedy. And got laid off. Within six weeks of each other. Everything changed. I gave it all up to persue a dream. A dream of pulling chuckles out of small groups of half drunk strangers. I put myself through several doses of humiliation to prove something to myself. That I was funny. I proved that much. Handing out flyers at the Improv I got seven shows a week and a "Colbert Report" audition. Things looked promising.
Then Ben was born. And everything changed again. I had a decision to make. I could either vecome a good comic or a good dad. I wasn't willing to sacrifice a son that was here for a career that might not happen. I stayed home to raise him and went out less nights. I got less bookings and apart from my own show (two years running) I wasn't part of the scene. Another audition, this one for the Onion, came and went and once the economy tanked, I had another decision to make. I had to go back to work.
Once Ben turned two, he was ready for day care and I was ready to go back to the office. I quickly got into Continuity as they merged with McGarry/Bowen and started pitching. Suddenly I was on a $100 million dollar account that everyone was talking about. I wrote a website that got millions of hits a day. I got a staff position, a promotion and an office. The success I was working so hard for fell into my lap from my back-up plan. The years of stand-up comedy had paid off in an unexpected way.
I'd like to say this decade changed everything but it changed everything again and again. This was the first real decade of my adulthood (the 90's were college and struggle, the 80's and 70's pure childhood) and yet things changed as much as they had in earlier decades. Now that I'm a husband and father, can I expect more changes from teh next ten years? Or maybe, a little stability.
I previously said this was the next movie I would see in a theater. Then I got a job so yesterday was the first chance I got. After work I went to Best Buy. They didn't have it. So I went to, there was nowhere else to go to. I'm in the middle of Manhattan and there are no places to buy Blu-Rays. Virgin would have had it, if they hadn't closed down. Thanks, economy.
Netflix gave me a long wait so I had to rent it on dvd from Blockbuster. Blockbuster! It had been so long since I was there they thought my roommate was still on my account. I will say they had more new releases available than Netflix does. That's saying something for a dying franchise.
The movie is really good, if not as amazing as I had built it up in my mind. I doubt any movie this side of "Lord of the Rings" could have matched the level I set in my head. But for a guitar lover, I doubt a better movie will be made.
The choices are perfect. Jimmy Page, the Edge and Jack White may not be the fastest guns of their eras, but they each changed the way the instrument was played, adding techniques my old guitarist in Psychasm would have yelled at me for trying. They each approached a completely different musical landscape and each came to a crossroads early in their career.
The attitudes of their ages are fascinating to watch. Page is an elder statesman, laying back and listening more than talking. He's so much more full of smiles than I imagined. The Edge is a man at the top of game and staying there. He's smart, funny and open to whatever the other players have to say but watch his eyes. He's always, always focused. Jack White comes off as arrogant. He throws out crazy ideas that don't work, like dressing a nine year old child as himself so he can teach boy Jack how to play. It seems like a coping mechanism for a young player obviously intimidated to be in the room with these two. His talent puts him there, if not his confidence.
If you're the type of person to see this movie, you're also the type of person who will watch every deleted scene. Like Jack White showing Jimmy Page and the Edge how to play "Seven Nation Army" with three whammy pedals (and Jimmy asking "is this right?"). It's these moments when the history drops away and it's just three musicians learning a new song that open the movie up. Not only are they just like one another, they're just like every person who's picked up the instrument and can't put it down.
As a kid, I always liked this day more than Christmas itself. Maybe it's the anticipation. Maybe wanting is better than having. Or maybe I don't feel like I deserve the actual holiday.
"No Line on the Horizon" is my fourth least favorite U2 album and yet "Breathe" is one of my top 5 all-time U2 songs.
Got me thinking about all the albums you save for that one great song. Sometimes it's the hit, sometimes it's a hidden track. But in your mind, it's the reason the album exists. What's the album you save and what's the song you save it for?
Do us all a favor. Go to this podcast and learn why you should show your three year old "The Simpsons". For the record, Ben knows the names of everyone but Maggie.
Here's a pretty critical view of the Simpsons on their twentieth anniversary which mainly hinges on the question: "Why is it still on?" For my take, I still watch it because it's still funny.
Here's a great article by Roger Ebert telling the whole story of what happened to "At the Movies". The facial surgeries, the firings, the Ben/Ben debacle that forced me to take the show off TiVo (Ben Lyons review of 'Max Payne' was "Sometimes I just don't wanna think.") and the rescue of teh show by Michael Philips and A.O. Scott. It's a fascinating read and eye openeing to anyone who didn't know what happened once Siskel died.
So far it's the only movie of Summer 2010. Superhero movies have a tendency to get really, really good in the second installment. And with the new poster, I think that trend will remain unbroken.
Didn't the producers say Rhodey wouldn't have much of a part when they fired Terence Howard? Not much a part if you don't want to be WAR MACHINE!!!
I went to John and Molly Get Along 3 last night. Fantastic show and I shared a sheepish and awkward smile with Jeaneane Garafalo. Said nothing. Lifelong dream fulfilled.
Here's John and Molly's second video. They premiered the third last night and I think I'll be posting every one they do.
If yesterday's wasn't bad enough, friend and shredder extraordinaire Geoff Unger sends us this video. This guy plays the piece three times, the last at 320bps!
Every now and then I see a guitarist that makes me feel bad about myself. Sometimes they're not even famous. Here's a guy on a message board, playing something I can't do on a guitar I now own.
I'm cranking on something I couldn't crack over the long weekend. Still not sure if I'm close. But here's the best distraction I can find from Mo Diggs. Mo talks about the 10 most influential comedians of the decade and it's so well thought-out and expertly written I can't even argue about the comics I hate on it.
We've changed the format of Writer's Room from stand-up to readings (I did the Adam West story from this blog). Oddly, the common theme is people reading their rejected Onion jokes. It's given me the confidence to post these.
I got an audition for the Onion earlier this year. I was pretty excited. After three years of stand-up I thought this was my way in to professional comedy writing. I'd had an audition for the Colbert Report early on that didn't pan out so a shot at the Onion was lightning striking twice.
Unfortunately, they didn't pick any of these. I took that as a sign to go back to advertising but after hearing how much great stuff the Onion doesn't pick, I feel a little more loyalty to these jokes.
Report: 70% of Representatives Feel Watching C-SPAN Just As Good As Showing Up
Springsteen Ruins Perfectly Good Halftime Show With Song From New Album
“Book Comes To Life” Movie Produced By Executives Who Don’t Read
Robert Duvall to Use Southern Accent in Every Damn Movie Now
Deathbed Confession Pack of Lies
Board Meeting Not Worth Free Cookies
Producers of Star Trek Movie Promise Fans Way Less "Star Trek"
Expensive SUV Becomes Affordable House
Losing Team's Problem Started With Believing in Themselves
OP-ED: Zoo Animals Just Don't Keep the Paying Customer in Mind
Mother Tells Son Once, Thousand Times
Advertising Agency Avoids Eye-Contact Throughout Horrible Commercial Pitch
OP-ED: Congratulations on Creating the Sexy, Brooding Teenage Vampire, “Twilight” Author! by Joss Whedon
Everything I said yesterday holds true. But I just finished reading Cormac MaCarthy's "The Road" and it's the saddest thing I ever read. I'm gonna need this show tonight.
I can't believe we have to petition to save a show that has Spider-Man in it.
There's a new Spider-Man series every five years or so. Some have been good, some have been garbage. So in 2007, when "Spectacular Spider-Man" was announced, I was unfazed. I watched a few episodes and liked it enough.
Then I bought the season 1 set and fell in love. seeing all the episodes together made me appreciate how well written the show was. It gets EVERYTHING right. Even Sam Raimi's movies miss some of Spidey's charm, but not this. The humor, the soap opera, the crazy rogues gallery, the science, it's all here. Greg Weisman has done the job at a level only Bruce Timm has attained.
You'd think being a Spider-Man show would give it gratis in the ratings. Yet "Spectacular" has a troubled history. It premiered right when Kids WB gave up. Then it moved way up the dial to basic cable on Disney XD. Disney decided not to run the second season until they had rerun 13 weeks of the first. So the U.S. was the last country to show these episodes. They also took numerous breaks to stagger the episodes for sweeps. The final ones aired last night, 18 months after they should have.
But it's still doing well. Merchandise is selling, kids are waiting. So when's the third season airing? Well now there's the problem of that Disney/ Marvel merger bogging things down. Sure "Spectacular" airs on a Disney channel but one animated series is the last thing on their agenda. And with Sony dropping the Spider-Man tv license, there's a bunch of people no longer involved. So two years after production on season two, none of the staff knows if they'll be called back.
So what do we do? Honestly, I have no idea. There a the typical petitions. I joined the Facebook group. People are writing letters. But this thing is so mired in inter company machinations I think all we can do is raise awareness that there is an audience for the show. Because when the dust settles, Disney and Marvel will want a Spider-man cartoon on the air. And after almost fifty years, they finally have one.
But let's not get too sad. Let's watch some. here's my favorite season one episode that has Spidey in the black costume fighting the Sinister Six. And how awesome is that theme song?
The new Sesame Street DVD, "40 years of Sunny Days" is out. And it's incredible. Amping up the strategy of the "Old School" sets, these 2 discs hold one 5 1/2 hour clip show that runs chronologically. Everything in it is gold. Renee and I would have bought it even if we had no children. As it is, Ben loved it so much we had to put on a Superman cartoon to calm him down.
Bad news: it's missing the classic "There's a Hole in the Bucket" a slow, strange, goofy segment that, in my recollection, taught nothing. Even as a kid, I wondered what they were thinking. The good news is Sesame Workshop knew it was something special and posted on their website instead. You can't embed from them so I found a Youtube version. Enjoy.
Bill Cosby got the Mark Twain Prize. Because he damn well deserves it.
Chris Rock and Seinfeld opening is great. Cosby's speech is great. But nothing is better than watching Cosby kill in front of Groucho Marx and Jack Benny.
They spent four minutes talking about Droid on Fallon the other night. That to me is the same as Drucker getting jokes on the show. Which has also happened.
Bowery Poetry Club 308 Bowery (Between Houston and Bleecker) New York, NY 7 p.m. $7
With:
Richard Jeni (Kumail Nanjiani) Kumail Nanjiani (Pete Holmes) Paul F. Tompkins (Sean Patton) Jim Gaffigan (Luke Cunningham) Sam Kinison (Mike Drucker) Johnny Carson (Mark Normand) Neil Hamburger (Matt Ruby) Dana Carvey (Adam Newman) Brian Regan (Jason Saenz) Cedric the Entertainer (Nick Turner) Dave Attell (Danny Solomon) Judy Tenuta (Leslie Goshko) Jim Carrey (Charlie Kasov) Carrot Top (Pat Stango) Don Rickles (Sean Donnelly) Jeff Dunham (Jay Welch) Sinbad (Abbi Crutchfield) Alonzo "Hamburger" Jones (Neal Statsny) Emo Phillips (Matt Goldich) Norm MacDonald (Dan Curry) Jeff Foxworthy (Roger Hailes) Reggie Watts (Rory Scovel) Big Jay Oakerson (Jared Logan) Kristen Schaal (Jamie Lee) Adam Sandler (Matt Maragno) Richard Lewis (Dan Mintz) Eddie Izzard (Dan Fontaine) Joy Behar (Molly Knefel) Mitch Hedberg (Mo Diggs) Brett Butler (Dan St. Germaine) Rip Taylor (Mike Lawrence) Dana Gould (Jon Clarke) Bernie Mac (Dan Wilbur) Lenny Bruce (Tim Warner) Orny Adams (Shawn Pearlman) Bob Newhart (Ross Hyzer) Joan Rivers (Alice Wetterland) Conan O'Brien (Chelsea White) Arj Barker (Chesley Calloway) Fozzy Bear (Aalap Patel) Jim Breuer (RG Daniels) Ron White (Ben Kissel) Jack Benny (Ray Field) Steve Martin (Erik Bergstrom) Albert Brooks (Sean O'Connor) Todd Barry (Luke Thayer) Andrew Dice Clay (Rob O'Reilly)
The word is out and the internet is a blaze with Droid. I've seen videos where a vlogger read all the copy from the teaser email capture site.
I've never been a part of something that had a huge response before. I'm working way hard to really notice it. In fact, I think I'm losing it since this guy totally appeals to me.
I've been cranking on this thing and now it's finally starting to come out. This is what two months of late nights, weekends and regular paychecks will get you.
There's more coming.
UPDATE: I've been quoted in AdAge. That's a first.
Last year Drucker and I made a workplace video with John Knefel. It went well and now he has another with his sister Molly. Their chemistry is fantastic and I always like seeing Dan Curry pop up anywhere. I'm also wondering how they were able to score such great locations. Definitely take a look.
I found this in an issue of "Enetrtainment Weekly" of all places. How will I maintain my edge?
It's still brilliant; a bunch of classic clips edited together to a reasonable 1951 version of "Raiders" with Charlton Heston, Gregory Peck and Peter Lorre. It's hard to explain but it holds together very well.
The NY Times has an article about Astoria comedians that mentions a ton of people I know. It doesn't mention me but they missed a few other guys as well. I'll try not to take it personally.
I love Marc Maron. He's the type of comic I thought I was going to be when I started stand-up. Until I found out nobody wanted that.
I loved his Air America show "Morning Sedition". Then they fired him. They gave him something else. And fired him. He's been fired so many times that now he has to run his own podcast "WTF". And it's awesome. You should listen to it.
Mark Normand and Matt Ruby are doing the special halloween show again and I'm on it again.
Here's my spot from last year:
And here's this year's lineup:
Richard Jeni (Kumail Nanjiani) Kumail Nanjiani (Pete Holmes) Paul F. Tompkins (Sean Patton) Jim Gaffigan (Luke Cunningham) Sam Kinison (Mike Drucker) Johnny Carson (Mark Normand) Neil Hamburger (Matt Ruby) Dana Carvey (Adam Newman) Brian Regan (Jason Saenz) Cedric the Entertainer (Nick Turner) Dave Attell (Danny Solomon) Judy Tenuta (Leslie Goshko) Jim Carrey (Charlie Kasov) Carrot Top (Pat Stango) Don Rickles (Sean Donnelly) Jeff Dunham (Jay Welch) Sinbad (Abbi Crutchfield) Alonzo "Hamburger" Jones (Neal Statsny) Emo Phillips (Matt Goldich) Norm MacDonald (Dan Curry) Jeff Foxworthy (Roger Hailes) Reggie Watts (Rory Scovel) Big Jay Oakerson (Jared Logan) Kristen Schaal (Jamie Lee) Adam Sandler (Matt Maragno) Richard Lewis (Dan Mintz) Eddie Izzard (Dan Fontaine) Joy Behar (Molly Knefel) Mitch Hedberg (Mo Diggs) Brett Butler (Dan St. Germaine) Rip Taylor (Mike Lawrence) Dana Gould (Jon Clarke) Bernie Mac (Dan Wilbur) Lenny Bruce (Tim Warner) Orny Adams (Shawn Pearlman) Bob Newhart (Ross Hyzer) Joan Rivers (Alice Wetterland) Conan O'Brien (Chelsea White) Arj Barker (Chesley Calloway) Fozzy Bear (Aalap Patel) Jim Breuer (RG Daniels) Ron White (Ben Kissel) Jack Benny (Ray Field) Steve Martin (Erik Bergstrom) Albert Brooks (Sean O'Connor) Todd Barry (Luke Thayer) Andrew Dice Clay (Rob O'Reilly)